Orísun Productions

 PlayFight

 
 
 

Fifteen year old best friends Kai, TJ & Zara have been tight since, well, forever. Always together. Inseperable. But as they've grown older things have begun to change. Why did life start to get so complicated? When did the world stop seeing them as children and start demanding that they behave according to some script written in stone and carved decades before their birth? And when did the weight of that stone start to crush them - slowly and imperceptibly at first, until they could hardly breath? 

Based on an idea by Shereener Browne and written by Christina Alagarathnam, PlayFight examines the corrosive way in which racism determines the direction young Black lives take.

Directed by Leian John-Baptiste (Waterfalls, Stop and Search, Barbershop Chronicles, is god is) with movement by Rhyss Dennis of FUBU Nation, fight direction by Kevin McCurdy (Othello, Twelfth Night)  costume & set design by Eliandro Monteiro , lighting by Filip Vermeiren of Inverse Lighting Design, & sound by Kieron Morris of Rezon8, PlayFight promises to be an unflinching look at the adultification of an entire generation of young Black males.

Triggers: Trauma. Depression. Mental Health. Recommended minimum age: 15 years. Approx running time: 70 mins, no interval.

PlayFight transferred from the Pleasance to the Seven Dials Playhouse on 10 July 2023 for a 4 week run, where the team was joined by Jordan Edwards-Wilks, aka Jords as executive producer.

 
 
 

Image: Sharron Wallace

PlayFight: Research & Development

The research and development of the PlayFight was a necessarily rigorous process, stretching over 18 months. Scenes were workshopped with actors familiar with the issues raised by the play. Following a table read the script was redrafted and revised. We then conducted a one day workshop attended by actors and local young people. After a number of further redrafts with targeted input from young people connected closely to Orísun, were we ready to show a scratch performance of PlayFight to an audience.

 

PlayFight: Rehearsed readings

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In late September 2019, after a three-day rehearsal period, we staged two rehearsed readings of PlayFight. Directed by Josh Hinds, the readings - one at the Black Cultural Archives in Brixton, and the other at the Matchstick Piehouse Theatre in Deptford - received a rapturous welcome from a sold out house.

The Mansion Trilogy

Set in the glorious Grade II listed Beckenham Place Mansions during the Covid-19 pandemic and between lockdowns in December 2020, this was Orísun’s first foray into Christmas entertainment. Billed as “the Christmas show that aint no panto” the Trilogy played over four performances to delighted sold out audiences.

Really moving, poetic and powerful..so tailored to the place and its history.
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A Christmas ghost story…

Three souls. Three histories. Three stories from a Christmas past.

 
Imaginative & powerful.
 

It’s Christmas at the Mansion…

And some former residents are getting restless. Three souls trapped for an eternity within the walls of an old and beautiful building are desperate to tell their tale to anyone who will listen. A Christmas ghost story.

Set in the historic Beckenham Place Mansion - a Grade II listed Georgian building of architectural and historical significance. Experience the sights and the history of this beautiful building and listen to three stories from three souls. 

Written by the award-winning Mark A C Brown & Chantelle Dusette (long listed for the Alfred Fagon Award) and featuring the acting talents of shereener browne, Seun Shote & Sarah Yeboah, The Mansion Trilogy is a co-production between Orísun & Arcademic films.

 
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“The actors were amazing.”

Audience member

Seun Shote in what was to be his final public performance as Bill Richmond in Top of the Mountain

 

Orísun Does Shakespeare

Six monologues from some of Shakespeare’s most famous plays and not a single plummy accent among them. It’s Shakespeare, our way.

 

 

 

Orísun Scratch

 
Nicole Sinclair in Be Strong by Annette Griffin. Image A Hudson

Nicole Sinclair in Be Strong by Annette Griffin. Image A Hudson

In November 2019 we hosted our first scratch night for new & emerging black female writers. Hosted generously by our friends at the Matchstick Piehouse theatre, the evening showcased the writing talents of eight writers touching on subjects that varied from romance to work place discrimination and homosexuality.


Elizabeth A Johnson & Steffi Igbinovia in Cornrows by Tayo Olowo-Okere. Image: A Hudson

Elizabeth A Johnson & Steffi Igbinovia in Cornrows by Tayo Olowo-Okere. Image: A Hudson


Josephen Melville in My Own Drum by Ros Try-Hane. Image: A Hudson

Josephen Melville in My Own Drum by Ros Try-Hane. Image: A Hudson

The evening was a wonderful celebration of black female creatives. There was laughter, there were tears and then there was thunderous applause. Sold out with a waiting list, the evening confirmed to us the need for platforms like this to exist. There will be more.

SpringBoard Monologue Showcase

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Seven monologues. Seven actors. One theme.

An Anthology of monologues

For our launch show we selected a series of monologues all loosely connected by a single theme: spring; new beginnings - an echo of our name. Why monologues? Small, yet perfectly formed, monologues are a powerful way to connect with an audience.

Curated by the legendary Anton Phillips, the performance showcased the work of established and emerging writing talent from across the world; performed by some of London’s newest and most exciting actors. It challenged, delighted & entertained.

 
Anton Phillips

Anton Phillips

“Thank you so much - I’m so grateful that you brought such thought-provoking theatre to New Cross!”

 
 
Martin O-White in “The carnival”

Martin O-White in “The carnival”

“Immersive as hell!”

 

An immersive experience

Realising this is a crowded market, we decided we needed to bring something different to the party. It would have been comparatively easy to put on a show in a theatre above a pub. And while we do not rule out performing in a traditional theatre space, we opted for an unusual and community-based setting: a converted former motorbike garage, with no heating, no seating but with a bare and raw architectural feel. We wanted to avoid a traditional theatre vibe; all the more likely to attract a non-theatre-going crowd. The audiences loved it!

Image: Kwame Lestrade

Image: Kwame Lestrade

Audience Responses

 
 

“I liked the way the storytelling and actors engaged with the audience. The venue was a beautiful risk. It was great! Different. We need more like this! I loved the monologue aspect too.”

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Image: Kwame Lestrade

Image: Kwame Lestrade

 

“Brilliant to stumble across this, and in the local area! Yet the standard, performances, voices, stories were of exceptional quality.”

/ - Audience member - /

 
Jerome Wise in Andy Rothery’s The Fountain

Jerome Wise in Andy Rothery’s The Fountain

 

Loved it! Never seen monologues performed like this before. I loved the different narratives.”

/ - Audience member - /

 
Chipo Kureya in Beautiful Spring by David Spencer

Chipo Kureya in Beautiful Spring by David Spencer

 

Drew me in. Inspiring. Keep up the incredible work!

/ - Audience member - /